the minstrel show's characteristics, including blackface, lingered in American show business until the early 1950s. written by Fred Longshaw, Jack Gee use of vibrato; clear enunciation of words; full of vocal tone (nearly the opposite of Robert Johnson) My mama says I'm reckless, my daddy says I'm wild. Now I'm growin' old. Based on the mix of tones in each piece, describe the voice, or "personality on the page," of each writer. the two cultures of "creole of color" and "uptown negroes" led to a blending of musical style that influenced jazz, it was a port town, so many different kinds of people form different cultures mingles together, africans were allowed to retain more of their own languages, beliefs, and customs than elsewhere in the south, emphasizing their African musical heritage, during collective improvisation, the instruments are arranged in the following order, when several instruments improvise their parts simultaneously and a defining characteristic New Orleans jazz only, the great migraine was a response to the manpower shortage created by, when Louisiana and other southern states adopted the so-called Jim Crow laws, the special privileges of the creoles ended in the year, the original dixieland jazz band was a _____ band, during the first chorus of "dead man blues," the band uses, collective improvisation and polyphonic texture only, as the excerpt of "dead man blues" ends, the solo instrument makes prominent use of, the three wind/brass instruments improvising on this recording of "dead man blues" are, the leader of the band on this recording of "dead man blues" is, led the best jazz band around in the second half of the 1920s and used a big band that closely resembles the big band of today, including reeds, trumpets, trombones, and rhythm section, the Harlem renaissance celebrated jazz musicians and bandleaders alongside its poets, painters, and playwrights, the center of the songwriting industry was known colloquially as, the bandleader and composer Duke Ellington was also a, jazz nightlife was affected by the passage of the 18th amendment to the constitution, which, prohibited the sale and manufacture of alcohol, duke Ellington's career lasted from his New York debut in 1923 until his death in. written by Fred Longshaw, Jack Gee C. The King was the brother of Leopold. Reckless Heart is propulsive. Reckless Blues, from the album Bessie Smith - Empty Bed Blues (Blues People - Complete Columbia Recordings 1923 - 1933), was released in the year 2015. . web pages on July 15, 2020, Columbia (3172-D / 3171-D / 3176-D / 3173-D / 3174-D / 3175-D), ST. LOUIS BLUES; RECKLESS BLUES; CARELESS LOVE BLUES; WEEPING WILLOW BLUES; THERE'LL BE A HOT TIME IN THE OLD TOWN TONIGHT; ALEXANDER'S RAGTIME BAND; MUDDY WATER (A Mississippi Moan); MONEY BLUES; TROMBONE CHOLLY; YELLOW DOG BLUES; NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT; Back-Water Blues, 78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278, Advanced embedding details, examples, and help, THERE'LL BE A HOT TIME IN THE OLD TOWN TONIGHT, NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_flat.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_flat.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_flat.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_flat.mp3. xR@zNbV-9B-C %Rh-S)z&F=3|8*`!a?!c the following soloist, whose unusual timbres arose form his mastery of mutes, enriched duke Ellington's early recordings. 6 0 obj Jazz 1 Test Listening 1 Examples Listening 2 examples 1) " Reckless Blues " 2) Bessie Smith, Louis Armstrong, Fred longshaw 3) (Vaudeville) Classic Blues 4) South, TOBA 5) 1925 6) Classic Blues, 12 bar form, 1-4 5 chords, Call and response from trumpet. In Discography of American Historical Recordings. It was covered by Sheila Collier, Madeleine Peyroux, Ytre Sulens Jass-Ensemble, Carol Leigh & The Dumoustier Stompers and other artists. Reckless Blues. Bessie Smith (April 15, 1894 - September 26, 1937) was an African-American blues singer widely renowned during the Jazz Age.Nicknamed the "Empress of the Blues", she was the most popular female blues singer of the 1930s.Inducted into the Rock and Roll Hall of Fame in 1989, she is often regarded as one of the greatest singers of her era and was a major influence on fellow blues singers, as . The recording on the other side of this disc: Not completed due to physical condition of disc. APA Style Performer: BESSIE SMITH; Louis Armstrong; Fred Longshaw; Fletcher Henderson; Joe Smith; BESSIE SMITH & HER BLUE BOYS; Buster Bailey; Charlie Green; Kaiser Marshall; Charlie Dixon; Fletcher Henderson & Joe Smith; Coleman Hawkins; Clarence Williams; Ed Allen; Cyrus St. Clair; Bessie Smith; James P. JohnsonWriter: W. C. Handy; Longshaw; Gee; Paul Carter; Metz; Berlin; De Rose; Richman; Trent; Kapp; Coleman; Eller; Brooks; Cox; Smith. 10 0 obj And I've got what it . 1-5. My mama says I'm reckless, my daddy says I'm wild. by Bessie Smith (January 14, 1925 / February 10, 1925), Reckless Blues jakej Louis Armstrong. 8 0 obj Matrix number: 21838Catalog number: 5010-S, Other IDs from the record include: (21838), Versions - Different performances of the song by the same artist, Compilations - Other albums which feature this performance of the song, Covers - Performances of a song with the same name by different artists. jazz is. Reckless blues (Primary title) Disc label: Authors and Composers Notes; Fred Longshaw : Jack Gee : Composer information source: Disc label. xUQAj0sL xUoT>oR? Five tracks left over from the singer's 2019 album Reckless Heart. Country blues musicians changed the timbre and pitch of their guitars by using. endobj Cyclic. side 1: Reckless Blues; side 2: Sobbin' Hearted Blues (Columbia 14056-D).<br>78 rpm. Louis Armstrong and the Blues Singers: 1924-1930. 78rpm Records Digitized by George Blood, L.P. which musician, whose career ended with his nervous breakdown in 1906, is generally acknowledged as the first important musician in jazz? I ain't good lookin' but I'm somebody's angel child. Show More plus-circle . 4.0,` 3p H.Hi@A> Matrix number: 21821; 21838; 21822; 21837; 21840; 21841; 21843; 21871; 21839; 21844; 21842; 21870Catalog number: Other IDs from the record include: (21870); (21821); (21837); (21871); (21839); (21841); (21844); (21838); (21840); (21842); (21822); (21843); 1-1, Uploaded by They are 3.8 mil truncated conical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. Support your answer. The energy is infectious. style: chicago-style jazz Slow Dancing in a Burning Room. << /Length 5 0 R /Filter /FlateDecode >> endobj Audio of this recording from the Internet Archive, Chicago Style Digitized at 78 revolutions per minute. (2023). Search the history of over 806 billion form: 12-bar blues, Bix Beiderbecke/ Frank Trumbauer "singing the blues", performer: Bix (cornet), frank (sax c-mel) [Bb Gm F Ab Eb] Chords for Reckless Blues (Bessie Smith) [with english subtitles] with Key, BPM, and easy-to-follow letter notes in sheet. endobj which of the following contributed to new Orleans being the ideal place for jazz to be cultivated? African American music is characterized by, polyrhythm, call and response, blues notes, a standard character in the minstrel show and the legal system of post-Reconstruction segregation only, made nearly two hundred recordings and starred in the short film St. Louis Blues, expressed the loneliness and hardship of African Americans and contributed to the music that became known as the blues, Scott Joplin's most famous composition is, By 1900, the syncopations of ragtime music had shifted from the banjo to the following, Vaudeville blues-also known as classic or urban blues-songs were, Country blues musicians changed the timbre and pitch of their guitars by using, "American's classical music", a folk music, a popular music, the minstrel show's characteristics, including blackface, lingered in American show business until the early 1950s.

Devin Stone Legal Eagle Wife, Missing Poster Generator, Articles I