Carlos Kleibers live recording of Brahms 2nd Symphony reminds me of what utter joy and inspiration sounds (and looks!) Its tricky, especially if its a composer like Beethoven, who was specific about what he wanted. Its like the E.M. Forster phrase, only connect, Weilerstein explained. Fresh, moving, timeless, and some of the most beautiful writing I can think of. AllMusic relies heavily on JavaScript. I do that with great repertoires a lot. September 17, 2010 The young cellist plays Bach with elegance, and takes us through the backstreets of Buenos Aires with a gripping performance of Omaramor, Osvaldo Golijov's tribute to tango singer Carlos Gardel. AW: Well he was just my dad to me, I mean, he wasn't this world famous violinist. May 27, 2011 A consummate artist even before she was out of her teens, 29-year-old Alisa Weilerstein has already been granted extraordinary opportunities, from playing for President Obama to taking on an iconic musical assignment. April 19, 2017 - Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. Alisa Weilerstein is one of the foremost cellists of our time. Is it always about reaching for some higher goal? Fragments is an attempt to fix a problem, Weilerstein said of relying too much on our old models of presenting, especially when it comes to new music.. She doesnt give the impression that making music involves will at all. I also always enjoyed playing for non-cellists in addition to cellists, because I always found they gave me great perspective and I grew up practicing with my father who was a great violinist, of course, and I was quite used to that. Her repertory is wide but has been marked by a focus on contemporary music. Hablas espaol? I live with his music all the time, I love it deeply, Shaw said, adding that the second book of The Well-Tempered Clavier has been her soundtrack for the past year. There are myriad reasons, of course, Weilerstein said, exploring the apparent divergence in the fields, but there is one very fundamental thing, which is, you walk into an exhibition, you see the painting or you see the work of art before anything, and it can hit you right where it needs to hit and then you can find out all the context around it. Weilerstein avoids the dance rhythms for the most part, but sometimes, when they serve her purposes, they show up, and the surfaces are strikingly variegated. Cellist Alisa Weilerstein, explaining her decision to retract an earlier promise not to play the pieces until she was older, says that the suites "present the player with infinite possibilities." Thats a great advantage of playing these real masterworks, because theyre so rich in detail that you can always find something new, no matter how many times youve played them. An ardent proponent of contemporary music, she has also premiered and championed important new works by composers including Pascal Dusapin, Osvaldo Golijov and Matthias Pintscher. Theyre chamber music players, which means that theyre listening to each other individually. For reasons she cant explain, she was instantly attracted to the instrument as a small child. November 6, 2012 Hear an excerpt of MacArthur "genius" cellist Alisa Weilerstein's excellent pairing of the Elgar Cello Concerto recorded with Daniel Barenboim, whose late wife Jacqueline Du Pre's name was synonymous with this piece and the cello concerto by Elliott Carter, who died yesterday at 103. Jamie Jung/Courtesy of the artist I came to Aspen, I think, for 16 summers of my first 18 years of life, so I spent a lot of my formative years here, so it really feels like another home to me. For aspiring classical musicians, what kind of advice can you offer other than practice, practice, practice? There are only a few weeks of the year when Im not on the road. I always hated it when people would try to label me in any way. Alisa Weilerstein (Cello) Born: April 18, 1982 - Rochester, New York, USA The American cellist, Alisa Weilerstein, was born into a musical family: she is the Her discography also includes chart-topping albums and the winner of BBC Musics Recording of the Year award, while other career milestones include a performance at the White House for President and Mrs. Obama. 1 888 842-9951. 6 in D major, BWV 1012, into a sub-climax that concludes CD 1. WebAlisa Weilerstein is known for If I Stay (2014), P.O.V. Alisa Weilerstein has won the MacArthur Foundation "genius grant." WebAlisa Weilerstein is one of the foremost cellists of our time. September 20, 2011 Hear the young cellist discuss her new award and watch her play at the NPR offices. Do it for no other reason than that you love it and cant imagine doing anything else. Alisa Weilersteins new project, Fragments, comes to Zankel Hall on April 1. Alisa Weilerstein (cello) Recorded: 2012-10-14 Recording Venue: Teldex Studio, Berlin 1. .st0{fill:#000;}. So you budget accordingly. I tend to say yes too often, but Im trying to get better at that. These cookies do not store any personal information. If theres a piece that Ive been playing over and over again, its very helpful to put it away for a while. Pentatone's sound is a bit too close but catches the intensity and the controlled spontaneity of these readings. Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo recitalist, chamber musician and concerto soloist with leading orchestras worldwide. Do it for no other reason than that you love it and cant imagine doing anything else. If Weilersteins response was a common one to a common crisis, the result of her reflections shines with uncommon ambition, so much so that it is hard to think of many soloists of a similar stature who would dare to bring anything like it to the stage. As Artistic Partner of the Trondheim Soloists, she regularly tours and records with the Norwegian orchestra. Cellist Alisa Weilerstein, one of the newest MacArthur "geniuses." It didnt last. hide caption. Alisa Weilerstein & conductor Daniel Barenboim - Elgar & Carter Cello Concertos, Alisa Weilerstein: Master Class (esk filharmonie / Czech Philharmonic), Alisa Weilerstein and Inon Barnatan - Rachmaninovs Sonata for Cello and Piano in G Minor, Alisa Weilerstein plays Bachs Cello Suite No.3, Gigue. WebAlisa Weilerstein is one of the foremost cellists of our time. hide caption. I certainly didnt want that and no one around me wanted that for me. As I think of Mozart as a true prodigy. Cecilia BartoliI love virtually everything she does. But disabling some of these cookies may have an effect on your browsing experience. This site uses cookies to offer you the best possible experience. Im always juggling a lot of repertoire at the same time, which requires a lot of rehearsal. Alisa Weilerstein talks about her experience at the Aspen Music Festival and School In this interview from the Harris Hall stage in Aspen, Performance Today's Fred Child talks with renowned cellist Alisa Weilerstein about the Aspen experience, and what the school and festival means to her. This is, therefore, a Romantic and very exciting set of cello suites. Im still going to always try to improve as an artist and to be a more insightful interpreter. Brava, brava, brava! fill: #000; 1900 S. Norfolk St., Suite 350, San Mateo, CA 94403 Weilerstein was born in Rochester, New York. to a secular Jewish family. She started playing the cello at age four. She made her debut at age 13 with the Cleveland Orchestra playing Tchaikovsky 's Variations on a Rococo Theme. As a soloist she has performed with a number of other major orchestras on four continents. September 23, 2011 A "genius" cellist, more protesting letters from London, Iraqi musicians go to Germany, and dreams of "comfort sounds" series: All the news that's fit to link. It gives you a totally new tool. February 16, 2012 Positioned above a tank full of stingrays at the National Aquarium, Weilerstein used her cello to serenade sea creatures (and many pleasantly surprised visitors) with music by Johann Sebastian Bach. FC: Was it hard playing at home for your dad - this world-famous violinist - when you were just learning how to play the cello? She was awarded the MacArthur genius grant in 2011. I know many people who say, I got inspired by such-and-such conductor when my school took me on a field trip to hear a concert, or such-and-such musician came to my school, and then I knew I loved classical music. The goal is not necessarily that theyll all become musicians, but just that this music will be part of their lives. FC: You spent a lot of time at Aspen as a very young girl. to a secular Jewish family. The helpful thing is that a lot of repertoires that I have to play are repertoires that Ive done before. Law Firm Website Design by Law Promo, What Clients Say About Working With Gretchen Kenney. Bach was not available for consultation, but she is subjecting his suites to the same treatment. This category only includes cookies that ensures basic functionalities and security features of the website. She left the choice up to them. En Espaol. After premiering the first two chapters in Toronto in early 2023, with subsequent performances at New Yorks Carnegie Hall and beyond, she looks forward to touring all six chapters in seasons to come. Music is about communication. Everyone brings their perspective and insight into what the composer actually meant. Just making sure to get enough sleep, and to have enough space in between engagements, those are things Im not too good at. Her Sarabandes are extraordinary, very slow (a lot of the high time total is racked up here) without being emotionally overwrought: they are deeply meditative. Weilerstein wanted for the first thing that listeners hear to be the Prelude from the first Suite. Anyone can read what you share. She plays the suites in the sequence 1, 3, 6, 2, 4, 5, making the virtuosic and difficult Suite No. She will offer new music: quite a lot of it, selected from works by 27 composers she has commissioned. Alisa Weilerstein is streaming one movement of the Bach cello suites a day, just as she has released a polished studio recording of them. AT FIRST GLANCE, Fragments might appear to be another of Weilersteins explorations of Bach, a successor to her all-in-one-night performances of the six suites, her emotive recording of them on the Pentatone label and her pandemic streaming series. As a child prodigy, Ma performed for presidents Dwight D. Eisenhower and John F. Kennedy when he was only seven years old. The trio currently resides at the New England Conservatory in Boston. Her brother is the violinist and conductor Joshua Weilerstein (born in 1987). She is married to Venezuelan conductor Rafael Payare. [5] Weilerstein has received a number of honors. Concert evenings: noon to 8 p.m. Alisa Weilerstein is one of the foremost cellists of our time. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a December 22, 2012 The albums that sum up our year span genres and borders. The goal is always to know these scores better, to truly, The Creative Independent is ad-free and published by, Master Class (esk filharmonie / Czech Philharmonic), Rachmaninovs Sonata for Cello and Piano in G Minor. There is no end point. People might not realize that the further you go in this business, the more travel is absolutely a part of the job description. Climate & Environment. Box-Office Hours With her multi-season new project, FRAGMENTS, Weilerstein aims to rethink the concert experience and broaden the tent for classical music. I also have a young daughter, who is 11 months old. Moyas fragments depict an early-morning brew, an after-lunch pick-me-up and a sludgy cup needed for staying up late. WEILERSTEIN HAS NEVER had the reputation of being a new-music specialist, but she has given her fair share of premieres, and few of her colleagues on the international circuit can list anything so bold as her recording of Elliott Carters Cello Concerto on their discographies. I want to keep fostering relationships with composers, help expand our repertoire, and create a cornerstones of twenty-first century repertoire. When did you come here as a cello student? Adagio (Con gran espressione) 12:35 3. } Theres also something beautiful and important about presenting different composers side by side, and behind a curtain, so that youre not focusing on their name, or whether or not theyre Bach.. hide caption. Phone: 650-931-2505 | Fax: 650-931-2506 So each of the six programs, which Weilerstein will offer over the next few seasons, will have a dramaturgical element: Hanako Yamaguchi, the former, longtime director of music programming at Lincoln Center, is her artistic adviser, and her production team includes the director Elkhanah Pulitzer, the set and lighting designer Seth Reiser, and the costumer Carlos J. Soto. Weilerstein and Jason Yoder ( marimba) perform Camille Saint-Sans 's "Le cygne" (The Swan) from The Carnival of the Animals at the White House Evening of Classical Music (November 2009) Problems playing these files? See media help. Alisa Weilerstein (born April 14, 1982) is an American classical cellist. She was named a 2011 MacArthur Fellow. [1] For her though, Fragments is an attempt to make the concert hall more of a place of adventure again, and less of a dead end. Weilerstein did set some rules. WebAbout Alisa Weilerstein. Also, you cant be afraid of performing. I was never subjected to abuse or was made to practice 10 hours a day while locked up. For cellist Alisa Weilerstein as for all of us life in 2021 involves a lot of rescheduling. When the cellist Alisa Weilerstein found herself cooped up with her family at the start of the pandemic, her first instinct, like that of so many classical musicians, was to find some way any way to communicate. Gerardo Antonio Sanchez Torres/courtesy of the artist, Alisa Weilerstein Plays Elgar: Exploring Music With An Intense Past, Young Cellist With An Old Soul Plays Elgar, Elliott Carter, Alisa Weilerstein: Playing Bach With The Fishes, Around The Classical Internet: September 23, 2011, Cellist Alisa Weilerstein Among MacArthur Grant Winners, Alisa Weilerstein: From Bach To The Backstreets Of Buenos Aires, Band Of Gypsies: Haydn And Brahms At Spoleto Festival, Alisa Weilerstein: The Art Of Chopin's Cello. Business. Violinist Livia Sohn, pianist Inon Barnatan, cellist Alisa Weilerstein and violist Barry Shiffman (not pictured) dig into the the Gypsy-influenced Piano Quartet, Op. Is it to be an interpreter? Something I return to every so often is Kunderas The Book of Laughter and Forgetting. AW: No, she actually offered quite a lot of technical advice because - contrary to popular belief - the violin and the cello are really not that different, it's actually the same but just reversed. Thats an important skill, unless you are someone who only plays alone always, you have to be able to communicate. Labels are generally very, very unhelpful. Thats something that Im really trying to do. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. June 16, 2010 Musicians at the 2010 Spoleto Festival U.S.A. bring out the "Gypsy" in Haydn and Brahms. Cellist Alisa Weilerstein. Come that November, Weilerstein had put her cello away, and she was taking long walks on the beaches near her home in San Diego instead of practicing. Weilerstein was born in Rochester, New York, on April 14, 1982. She was awarded the MacArthur genius grant in 2011. hide caption. So thats how I always looked at it. Alisa Weilerstein: From Bach To The Backstreets Of Buenos Aires. Veterans Pension Benefits (Aid & Attendance). She made her debut at age 13 with the Cleveland Orchestra playing Tchaikovsky's Variations on a Rococo Theme. Lifestyle. For the first chapter of Alisa Weilerstein s groundbreaking project for solo cello, co-commissioned by Carnegie Hall, J. S. Bachs First Cello Suite is woven together with new works, responsive lighting, and scenic architecture, inviting audiences into an immersive, multisensory experience. So that was a very important thing. Today her career is truly global in scope, taking her to the most prestigious international venues for solo recitals, chamber concerts and concerto collaborations with all the preeminent conductors and orchestras worldwide. Not only did she make her Carnegie Hall debut at age 15 and perform for President Obama in 2009, last year she was also chosen by conductor Daniel Barenboim to perform the Elgar Cello Concerto with the Berlin Philharmonic. The 27 who agreed including Tania Len, Joan Tower, Carlos Simon and Daniel Kidane make up a roster that is remarkably diverse demographically and stylistically, but almost all of them asked if they should write with specific reference to Bach, Weilerstein recalled. But Weilerstein thinks of it not as a new approach to Bach, she said, rather a celebration of the really disparate voices in contemporary classical music, with Bach as a common reference point. Webby James Manheim. An authority on Bachs music for unaccompanied cello, Weilerstein recently released a best-selling recording of his solo suites on the Pentatone label, streamed them in her innovative #36DaysOfBach project, and deconstructed his beloved G-major prelude in a Vox.com video, viewed almost 1.5 million times. I was interested in other things. Alisa Weilerstein performs at the National Aquarium in Baltimore. What do you think of as being the most important creative resources for doing what you do? Yes, that is weird. As a soloist she has performed with a number of other major orchestras on four continents. May 27, 2011 A consummate artist even before she was out of her teens, 29-year-old Alisa Weilerstein has already been granted extraordinary opportunities, from (1988) and When Alisa Met Elliott (2012). She was awarded the MacArthur genius grant in 2011. We all had a lot of time to think about what it means to really connect with an audience, what it means to connect with each other, and an appreciation for being in one communal space.. In fact, I played for Zara Nelsova when I was much younger, but I wasn't officially a student, I was around maybe 6 or 7 when I had my first lessons with her. May 22, 2022 6 AM PT Balancing an infant with a whirlwind career as one of classical musics most in-demand cellists comes easily for Alisa Weilerstein. She lives with her husband, Venezuelan conductor Rafael Payare, and their two young children. You try to treat the score as something thats living and breathing, and therefore, malleable. WebAlisa Weilerstein. Going to hear a concert and not looking at whats on the program and not knowing what comes next those have been some of my deepest and most revealing listening experiences, Shaw said. My management was very careful to get me as much experience as I needed without overexposing me or taking over my life. For example, as recently as November, Weilerstein still planned to perform the complete Bach suites for cello in Santa Barbara in April of 2021. 2023 Los Angeles Philharmonic Association. Its a constant challenge, too. Diagnosed with type 1 diabetes at the age of nine, Weilerstein is a staunch advocate for the T1D community. Caroline Shaw, whose Microfictions for Weilerstein is the second volume in a run of collected miniatures that she has also written for the Mir Quartet and the New York Philharmonic, said that her piece is not an explicit response to Bach, but that his influence was surely present in it. Weilersteins cello is her id. We'll assume you're ok with this, but you can opt-out if you wish. Cellist Alisa Weilerstein has announced on her Facebook page that she and her husband, the conductor Rafael Payare, are expecting their first child together. For example, the Schumann concerto Ive played many times. I have actually recorded the Elgar with Daniel Barenboim. Youre playing these well-known, exacting pieces of music. AW: I was 13 when I first came as a student, so that was 1995, and I studied with David Finckel, and also, I played for Dorothy DeLay quite a lot. She will be there, playing solo. People might assume that a talent like yours must have been fostered at the expense of everything else. FC: And you mentioned Dorothy DeLay, who's a legendary violin teacher at Julliard and here in Aspen. Alisa Weilerstein is one of the foremost cellists of our time. Then you come back to it with a new and fresh perspective. A multisensory production for solo cello, the six-chapter series sees her weave together the 36 movements of Bachs solo cello suites with 27 new commissions. People assume that this is the only thing you know how to do, or that your talent is a kind of idiot-savant type of thing. Everyone brings their perspective and insight into what the composer actually meant. In that sense, theres no substitute for time away. When youre playing with someone new, do differences in interpretation ever cause problems? Jamie Jung You can also deactivate these cookies. The work is better as a result. Even when I was a very, sort of, unruly teenager, I still realized what he was telling me was good, so I took it (laughs). But for this upcoming performance, itll be my first time that I play it without a conductor, so it should be interesting. You try to treat the score as something thats living and breathing, and therefore, malleable. Alisa Weilerstein is one of the foremost cellists of our time. I count myself incredibly lucky in that respector maybe I was just very stupid, I dont knowthat I wasnt afraid to be in front of people. Thats a constant discussion. I realized that what he was telling me was very valuable. Literally. This website uses cookies to improve your experience when you browse the website. Since making her professional and Carnegie Hall debuts in her early teens, she has been in With contemporary music, theres so much context put around it even before weve heard anything.. 2, BWV 1008, that begins the second part (the second CD for physical buyers) is then especially free and introductory in quality. So to return to it was actually really wonderful, because I found all sorts of new things in it. You received the MacArthur Grant. But he had this remarkable - actually both my parents did, but especially my father because I worked more intensely with him between the time I was 9 and 15. My parents were very conscious to give me as close to a normal childhood as possible, so I had friends, played outside, went to normal school. Visita nuestra pgina web en espaol. As a subscriber, you have 10 gift articles to give each month. Weilerstein at the Fragments premiere in Toronto. Montreal (Quebec) H2X 0S1, Customer Service Hours FC: So you were just an infant-in-arms for a while, and you started playing cello when you were four. She and the cello seem simply to be one and the same, agrees the Los Angeles Times. You also have to deal with the traveling, which is very tough on the body. Alisa Weilersteins latest project is a series of staged solo recitals that weave Bachs cello suites with newly commissioned works. The other goal that I have is to try to help create a twenty-first century repertoire for the cello, much in the way that Rostropovich did in the twentieth century. Ive been looking forward to working with the Orpheus Chamber Orchestra because they dont play like a typical orchestra with a conductor at the head, in which case you just follow the conductors beat. The newly renovated Dock Street Theater in Charleston, S.C., plays host to Gypsy-inspired sounds. 1600 Saint-Urbain Street, She lives with her husband, Venezuelan conductor Rafael Payare, and their young child. Her brother is also a conductor and violinist. The staging does offer some hints about the music, as if to hold the listeners hand. I read a lot of books. Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo (1988) and When Alisa Met Elliott (2012). Luckily, I didnt ever have that fear. Theres a lot of things that classical music does uniquely well, and its important to preserve those things, Weilerstein said. All Rights Reserved. Nobody would say otherwise, but I try not to pay too much attention to that. Its not about expressing the performers personality, but that inevitably happens. Gerardo Antonio Sanchez Torres/courtesy of the artist hide caption. She started playing the cello at age four. She joined the artists who found solace on social media, streaming a movement of Bachs cello suites each day, for 36 days in a row. And I played in master classes for Zara Nelsovanand for Lynn Harrell. I do think, though, that we clearly have a problem, that we are not connecting with enough people, and that we are relying too much on our old models of presenting, especially when it comes to new music.. The Prelude of the Cello Suite No. But I wanted to go with my gut, and relate my work to something that might connect with her on that level, not a technical or a composer-y level.. Try typing something like "creative blocks", "spiral", "world", "green" or "blue" and our snail will find what you're looking for. He was Dad (laughs). What does the idea of creative freedom mean when youre a classical musician? Her Sarabandes are extraordinary, very slow (a lot of the high time total is racked up here) without being emotionally overwrought: they are deeply meditative. Alisa Weilerstein always knew that she wanted to be a cellist. Here's a space to search our entire website. Since Alisa Weilerstein was just 6, the three have performed together around the globe as the Weilerstein Trio. Alex Irvin / Courtesy Aspen Music Festival and School. From Astro to Wadada Leo Smith, Fiona Apple to Frank Ocean, here are 50 albums that made 2012 great. She also is active in chamber music and performs with her parents, violinist Donald Weilerstein (the founding first violinist of the Cleveland Quartet) and pianist Vivian Born in New York to a violinist father and pianist mother, she grew up and eventually formed the Weilerstein Trio with her parents. Monday to Friday: noon to 5 p.m. I thought the connotations of being considered a prodigy implied living a very different life than the one I lived. WebAlisa Weilerstein is one of the foremost cellists of our time. How did you feel about that at the time? Do you even remember the first time you were here? Its very hard to write anything for solo cello and not have some subconscious relationship to Bach.. This means people can now refer to you as a genius in an official capacity. At least I dont.. The work was co-commissioned with the Detroit Symphony; the Cleveland Orchestra, where Weilerstein performed it last fall; and the National Symphony, where she reprised it in May. She has been married to Rafael Payare since 2013. Cellist Alisa Weilerstein Free to write what he wanted, Moya drew on the personal ties that he has to Weilerstein through the conductor Rafael Payare, her husband. If there's such a thing as cello mojo, Alisa Weilerstein has it. He was the muse for Shostakovich and Prokofiev, and he premiered over a thousand works over the course of his lifetime. We also use third party cookies which help us analyze and understand how you use this website. Without real love and doggedness and tenacity, its still nearly impossible. Other career milestones include a performance at the White House for President and Mrs. Obama. You made your professional debut at the age of 13 and were often referred to as a child prodigy. Since Alisa Weilerstein was just 6, the three have performed together around the globe as the Weilerstein Trio. Some did, she said, and some very much did not.. Weilerstein was born in Rochester, New York, but was raised in Cleveland, graduating from Cleveland Heights High School. I never liked that word. Allegro molto vivace 11:54 Golijov: Omaramor For Solo Cello 8:14 Alisa Weilerstein (cello) Recorded: 2012-10-14 Recording Venue: Teldex Studio, Berlin

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