representation of female characters in literature

Shakespeare merged femininity and masculinity in his characters to show that people of each gender could possess both sets of traits. Thus, it is not only necessary to strive for equitable representation in the numbers of male and female characters, but also for non-stereotypical depictions of these characters. . Advertising Notice What was meant to act as a liberation from the male gaze turns out to be a different limiting view of women. It is worth noting that these studies included books published prior to 1995, during which time female authors may have been underrepresented [15]. Binomial logistic regression revealed that the proportion of female authors, relative to male authors, increased between 1960 and 2020 (B = 0.02, Z = 5.04, p < .001, OR = 1.02, 95% CI = [1.01, 1.02]; Fig 1A) and so, too, did the proportion of non-fiction books, relative to fiction (B = 0.04, Z = 8.48, p < .001, OR = 1.04, 95% CI = [1.03, 1.05]; Fig 1B). Literary gender may be constructed differently in different genres, or in different parts of the literary field, the authors write. In the following sections, we will unravel some examples of traditional gender roles from famous literary works. Gothic writers often blurred the line between the two types. In order to obtain a large, representative sample of books available to children, we included titles from a variety of sources: award winners, best sellers from top retailers at the time of collection (e.g., Amazon and Barnes & Noble), specific recommendations to parents or teachers, and publishing catalogs. Men were often portrayed as dominant, authoritative, competitive, and aggressive. 1. An analysis of more than 100,000 novels spanning more than 200 years shows how gendered even seemingly innocuous words can be as well as revealing an unexpected decline in the proportion of female novelists from the mid-19th to the mid-20th century. Elizabeth is a confident woman who would rather sacrifice financial security than be stuck in a loveless marriage. This paper examines . Even when female characters appear as protagonists, they are often portrayed as more emotional [19, 30], less active [64], and less associated with STEM [63, 65]. First, to better understand the effect of author gender, we compared male and female authors when books were written for younger versus older children (Fig 5A) and when the books involved human versus non-human protagonists (Fig 5B). We compared fiction and non-fiction books when they involved human versus non-human characters (Fig 5C) and when the target audience was younger versus older children (Fig 5D). Kennedy Casey, And over the course of their study, dramatic and rapid shifts in the words used to characterize gender--as well as a decrease in the number of specifically gendered words. I was not so sure, but Jem told me I was being a girl, that girls always imagined things, thats why other people hated them so, and if I started behaving like one I could just go off and find some to play with. Published: 15 April 2018. Additionally, the present study focused only on books with a single identifiable male or female protagonist and therefore does not address gender representation at all character levels. Get the latest Travel & Culture stories in your inbox. All analyses reported below use minimum age to categorize target audience group, though the results are qualitatively similar when categorized according to the average of the minimum and maximum ages, or when age is instead treated as a continuous variable. examine the representation of women in literary works; present the top 20 gender-related essay topics. When reading stories from the past, we can realize how far weve made since the dawn of feminism. However, male protagonists tended to be overrepresented in fiction books targeted to younger children, and overrepresentation decreased as the age of the target audience increased (B = -0.21, Z = -5.65, p < .001, OR = 0.81, 95% CI = [0.75, 0.87]). <>/Metadata 119 0 R/ViewerPreferences 120 0 R>> 4 0 obj The dotted line at 0.5 denotes parity. This depiction put a lot of pressure on men and prohibited a wide range of emotional expression. The predator is dangerous yet powerfully attractive. By analyzing trends in the publication of books featuring male versus female protagonists over the last 60 years, while also considering the influence of previously unexamined variables, such as age of the target audience and book genre, we can better understand where (if at all) progress towards gender parity has been most successful and identify where future work may be needed to achieve equitable gender representation in childrens books. 1 0 obj broad scope, and wide readership a perfect fit for your research every time. To ensure satisfactory coding reliability, a randomly selected 30% of books meeting inclusion criteria were re-coded by a second coder, blind to the primary coders responses. By contrast, overrepresentation of male characters in non-fiction books, both human and non-human, did not decrease significantly across the entire 60-year period, though there was a significant decrease in male overrepresentation in non-fiction books featuring human characters when only considering the last two decades (B = -0.03, Z = -2.35, p = 0.019, OR = 0.97, 95% CI = [0.94, 0.99]). The way the female gaze has been conceptualized still propagates the usual stereotypes about female identity. S1 Fig. It also helped to add depth and suspense to a plot. That is, male overrepresentation decreased in fiction books for both younger (B = -0.02, Z = -4.21, p < .001, OR = 0.985, 95% CI = [0.98, 0.99]) and older children (B = -0.02, Z = -2.63, p = .008, OR = 0.98, 95% CI = [0.96, 0.99]) across the last 60 years, though the effect for younger children did not hold in the most recent subset of books (i.e., 20002020). With such awareness, there may be a motivation to ensure parity in the gender of childrens book characters. Similarly, when the stories are non-fiction, authors may have greater flexibility in representing characters when they are non-human (e.g., by describing facts about a female animal, such as A Mothers Journey by Sandra Markle). The academics speculate that one reason for the drop of female authors, which reversed around 1970, could be the gentrification of the novel. By the mid-20th century, words for mirth such as smile and laugh were more likely to be applied to female characters, while mid-century men, apparently, can only grin and chuckle. For full functionality of this site, please enable JavaScript. In the case of reprints, the publication year was coded as the original, so long as the author and content of the book did not change in the newer edition. Fourth, there was a significant two-way interaction between genre and target audience, B = 0.20, Z = 2.01, p < .001, OR = 1.22, 95% CI = [1.26, 1.76] (Fig 4D). For a long time, history books only contained biographies of men and ignored stories of women. Citation: Casey K, Novick K, Lourenco SF (2021) Sixty years of gender representation in childrens books: Conditions associated with overrepresentation of male versus female protagonists. Society of that time believed that men with traditionally feminine characteristics such as empathy and trust were weak. In conclusion, our analysis of the frequency of male and female central characters clearly demonstrates that although female representation has improved over the last 60 years, parity has not yet been achieved in all types of books or by all authors. Writing became a way to voice their rejection of slavery and racism, as well as their claim to freedom and equality. Maya Angelous memoir I Know Why the Caged Bird Sings inspired generations of 21st-century women writers. We coded publication year as the original publication date. Privacy Statement Tis destiny unshunnable, like death. So, the antidote must be balancing it out with a new emphasis on the female gaze, right? We will create an PLOS is a nonprofit 501(c)(3) corporation, #C2354500, based in San Francisco, California, US. Mary Wollstonecraft, one of the authors who wrote about feminism, advocates in her A Vindication of the Rights of Women (1792) that women must be treated equally because they have to play a crucial and vital role in society especially bringing up children. Corrections, Expressions of Concern, and Retractions. This article explores the representation of homosociality between two marginalized female characters in "Xialihe" () (1978), a novella by Sinophone Malaysian writer Shang Wanyun () (1952-1995). There have been multiple waves of feminist movements [45], and social media has emerged as a mechanism by which to promote feminist doctrine broadly and expediently [46]. In his play Macbeth, he makes a submissive man and his dominant wife the two main antiheroes. (under the direction of Dr. Kathie Morgan) School of Education, Liberty University, October, 2011. She sees femininity as a trap and believes that masculinity doesnt have as many rules. Because a critical contribution of the present study was the examination of gender representation in books published post 2000, we also ran this analysis on this most recent subset of books. I would have expected to see some progress, just in terms of equality of representation in women in fiction, Underwood says. The literary landscape of today needs diverse books featuring modern female characters of every colour, ethnicity, religion, and sexuality, of every background, nationality, ideology, and age. Elizabeth Gaskell did not concede to the idea of women's inferiority, although she does concede to the notion that a woman's place is in the home, as is . The shaded regions show standard errors of binomial logistic regression model fits. Many writers and poets have tried to answer this question. 1. The academics were so surprised by these findings, in the very period when we might expect to see the effects of first-wave feminism, that they initially suspected an error in their methods. For instance, female role models in STEM encourage more female representation [24, 25], and the presence of women in key positions, including hiring and colloquium committees, improves institutional performance and results in more diverse employees and speakers [26]. O curse of marriage, that we can call these delicate creatures ours And not their appetites! Do you want to explore them? Theyhad no sexual freedom and no chance to pursue a professional career. Gender roles serve as individual codes of behavior determined by societal expectations of different sexes. Elizabeth takes pride in herself and calls men out for their rude behavior. In terms of contemporary feminist literature, Angrboda's character is a prime example of a strong and complex female protagonist. We will also look into examples of how women authors were marginalized by the era in which they were living. The male gaze is objectifying, reductive, and dominates our visual culture. Knowledge of these effects may allow publishers and authors to increase their awareness of the susceptibility to gender bias and strive to achieve gender equity in childrens books. The dotted line at 0.5 denotes parity. Recent work suggests that the central characters gender strongly influences young childrens learning of gender stereotypes [42], while the relative influence of multiple gendered characters has not been established. Harper Lee explores the overcomplicated social hierarchy of the American South through differences in status. She embodies the idea that women can be both nurturing and . I had rather be a toad And live upon the vapor of a dungeon Than keep a corner in the thing I love For others uses. Second, there was a significant two-way interaction between author gender and character type, B = 0.52, Z = 2.35, p = .019, OR = 1.68, 95% CI = [1.09, 2.59] (Fig 4B). Yet, books by American authors can help us grasp it better. What does The Bell Jar say about gender expectations? It is also important to note that some of the aforementioned effects depend critically on author gender. [23] examined the role of author gender on the proportion of male and female protagonists. These analyses also revealed that the books written by male authors included relatively more non-human characters than did books written by female authors (B = 0.61, Z = 6.98, p < .001, OR = 0.55, 95% CI = [0.46, 0.65]; S1A Fig). Male authors depicted more male protagonists regardless of character type (male-to-female ratio: human = 2.95:1, 2 = 107.98, p < .001; non-human = 4.19:1, 2 = 66.87, p < .001). Download Print. In the same period, they saw a decline in the number of named women characters. In particular, explanations are needed for why there is greater parity for human characters when the books are fiction and for non-human characters when the books are non-fiction. Character type was coded as either human or non-human. In the largest study to date, McCabe et al. Have a look at the examples of literatures most inspiring women below: Black women writers first appeared in 1859 as a part of a general renaissance of black literature. The novels were selected primarily from the HathiTrust Digital Library and represented a selection of bestsellers from the years 1703 to 2009. Perhaps the most common, and most positively looked upon character trope to be affiliated with women in literature is "The Virgin". In fact, recent work suggests that exposure to counter-stereotypical protagonists in books can reduce childrens endorsement of gender stereotypes [66] and promote less stereotypical behavior [67]. Scout Finch rejects the feminine in her because she wants to grow up on her own terms. 2 0 obj Throughout the Medieval period, women were treated as second-class citizens, and their needs were largely ignored. As needed, further clarification was sought from the book itself (when freely accessible online), or additional Google searches were conducted to supplement the information found in the book description (e.g., to determine author gender if pronouns were not provided or to determine the original publication year if the book was a reprint edition). Despite ample evidence of gender bias in childrens books prior to 2000, there is a dearth of evidence post 2000. This huge piece of research backs that up., Mosse pointed to a sea change from the Enlightenment through to Victorian values, so women are freer in the time of Jane Austen or Mary Shelley or Ann Radcliffe, but then Victorian values the idea of the angel in the home take over. Across a sample of 200 childrens books published between 1995 and 2001, they reported that female authors depicted male and female characters in comparable numbers, whereas male authors overrepresented male characters. Moreover, the evidence that does exist post 2000 is contradictory, with some data suggesting little or no improvement in the frequency of female characters [33] and other data suggesting that the numbers of male and female characters have reached parity [34]. Their analysis included 5,618 books published between 1900 and 2000 from three sources: Caldecott award-winning books, Little Golden Books, and the Childrens Catalog. Authors such as the Bronte sisters, Mary Shelley, and Ann Radcliffe played a central part in popularizing womens writing. The female characters are not just suffixes to men in this story. Stella F. Lourenco, Affiliation: Women in fiction may have shrugged some of the strait jacketed representations but anytime a woman character chooses to live life on her terms, readers tend to get agitated. If you were thinking about checking out To Kill a Mockingbird, here are the most famous quotes on gender that will inspire you to read it: [Calpurnia] seemed glad to see me when I appeared in the kitchen, and by watching her I began to think there was some skill involved in being a girl. They may also explain why ambiguous contexts are more likely to be interpreted as male [50]. In books by women, the division is much closer to equal. All data and materials are publicly available on the Open Science Framework (https://osf.io/97gfk/). }'yORuVTYS>tLfZfju&zZ'e~TH0-eCy4~);kLRxws[_mSOtdo&Wg'&gI&sf'n&dw\O'Y}//=)+RI1GO>rbi,@JNmUpRNEe(Vj e_|;v\~zDUOs=`dC~Z+@ f1X$bm^ 0?c)etC^NMresYo-'_34 qn![/V;rbDbZJhp#oEf8. Black womens literature inspired many people worldwide and had a major impact on the consciousness of African-American women. The proportion of books targeted to older children (ages 9+), compared to younger children, did not vary during this time period (B = 0.004, Z = 0.98, p = .327, OR = 1.004, 95% CI = [1.00, 1.01]; Fig 1C), nor did the proportion of books with human versus non-human protagonists (B = 0.005, Z = 1.53, p = .127, OR = 1.005, 95% CI = [1.00, 1.01]; Fig 1D). Here are some of the most prominent ones: One of the examples of an archetypal female character in medieval literature is Grendels mother from Beowulf. Revenge provides relief. In the 1900s, words related to mirth became more associated with women and there was a corresponding decline in the use of those words in relation to men. Discrepancies were resolved by discussion between the two coders. Male and female characters in children's books The casually used pronoun plays a significant role when it comes to the free choice of whether a person or animal is a 'he' or a 'she'. The roles of a mother and a father throughout history. The stereotypes of women's roles in more literary works are often preceded by a view of woman and the traits, more generalized, which she embodies. There were also more non-human characters in fiction (B = 2.60, Z = 11.77, p < .001, OR = 13.44, 95% CI = [8.94, 21.33]; S1B Fig) and in books targeted to younger children (B = 1.32, Z = 18.07, p < .001, OR = 3.74, 95% CI = [2.25, 4.32]; S1C Fig). Academics from the universities of Illinois and California at Berkeley used an algorithm to examine 104,000 works of fiction dating from 1780 to 2007, drawn mostly from HathiTrust Digital Library. The Moors failure to trust his innocent and loving wife and identify his deceiver is what destroys him. World literature has given us a variety of strong female characters. So I take phosphates or phosphiteswhichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to work until I am well again. In English, female is the marked (irregular) category because the affix fe is added to the unmarked (standard) form of male. One straightforward reason is that gender stereotypes persist in society. Our results clearly demonstrated that the male-to-female ratio was larger for books authored by men compared to women, B = 1.27, Z = 15.63, p < .001, OR = 3.57, 95% CI = [3.05, 4.20] (Fig 3A). I have lost the immortal part of myself, and what remains is bestial. In the narratives collection "Fra. We found that, across time, overrepresentation of male characters in fiction books significantly decreased for human (B = -0.02, Z = -4.73, p < .001, OR = 0.98, 95% CI = [0.97, 0.99]) and non-human characters (B = -0.02, Z = -2.45, p = .014, OR = 0.98, 95% CI = [0.97, 1.00]), but these effects did not hold when considering only the subset of books published within the last two decades. The academics expected to see an increase in the prominence of female characters in literature across the two centuries. We suggest that although there are historical, linguistic, and economic forces working in favor of male overrepresentation, there is also cultural awareness of gender bias. Here are a few meaningful quotes from Othello for you to analyze and see what toxic masculinity is all about: Reputation, reputation, reputation! Harper Lees To Kill a Mockingbird is a story about a wrongly accused black man and a lawyer confronting racial injustice. It is also possible that patterns of representation may differ across cultural contexts [e.g., 70], highlighting a need for further characterization of gender representation in childrens books from sources outside of the United States. Those trends start to reverse in the latter partof the 20th century. Women were dependent on men, they were helpless and superficial since they could not have their own thoughts, and they could not pursue their dreams as men. Future research should consider analyzing these books separately to determine the extent to which the reprints of older books (and persisting popularity of classic stories) contribute to continued male overrepresentation. However, studies examining the content of children's literature report stereotypical portrayals of male and female characters [17, 30]. this quickly! Of the titles meeting inclusion criteria for analysis (n = 3,280), we coded for: (1) gender of central character, (2) publication year, (3) gender of book author, (4) age of target audience, (5) character type (human vs. non-human), and (6) book genre (fiction vs. non-fiction). <>/ExtGState<>/Font<>/ProcSet[/PDF/Text/ImageB/ImageC/ImageI] >>/Annots[ 12 0 R] /MediaBox[ 0 0 595.25 842] /Contents 4 0 R/Group<>/Tabs/S/StructParents 0>> Gender criticism is an extension of literary criticism, focusing on how cultures use symbols to define and impose the traits of a particular gender on a person. His dentist was tired of waiting for him, in The Pencil. McCabe and colleagues found that male protagonists were overrepresented compared to female protagonists across all sources. In the following sections, we will discuss how the representation of female characters in literature has evolved throughout history. Although set in a patriarchal society, the female voice is still heard. Gender roles serve as individual codes of behavior determined by societal expectations of different sexes. You see this in history, and in music its equal, and then when criticism starts to become important, womens contributions are undervalued.. Generally, algorithms are used to make predictions or detect patterns based on a set of information, but Long says their use for history is that they can detect long-term trends in the past, as well as the present or future. Lorraine Hansberry explores the controversial side of abortion, marriage, and limiting gender roles for women and men. women held wonderful positions in the golden Vedic age. Terms of Use Women smile and laugh, the authors write, but mid-century men, apparently, can only grin and chuckle. Similarly, in the 19th century, theres much more discussion of feelings, at first mostly in regards to women characters. This approach was used to gauge widespread trends in gender representation across the 60-year period of interest, and it is an approach that overcomes limitations of previous studies, which have typically restricted their analyses to award-winning titles or books available in a specific library or school setting. A binomial regression model with the four potential moderators as predictors (publication year not included in this analysis) revealed a significant effect for each of the variables tested. We will also look into examples of how women authors were marginalized by the era in which they were living. Thats where machine learning comes in. The analysis finds: This gap between the genders is depressingly stable across 200 years., Kate Mosse, the bestselling historical novelist and founder of the Womens prize for fiction, said that she was not surprised by the results. However, other research suggests that stereotypes permeate childrens books at multiple levels, including text [14, 30, 62] and illustrations [32, 63]. Comparing the representation of female characters by a male author - Ron Rash - with a female author - Fannie Flagg and Toni Morrison - through Southern literature and accompanied research will provide a better understanding of the significance of gender portrayal, roles, and stereotypes in literature. The differential frequency of male and female characters in media might be less consequential if the accompanying content counteracted the disproportionate numbers. A considerable number of book-length studies and academic articles investigate the topic, and several . In this case, that interrupts scholarly assumptions about how the history of literature should track with the history of womens social progress. Parents preferences for books with male characters may stem from their own experience with older, classic books [55]. Although literary historians have talked about womens departure from the novel at certain points before, says Underwood, nobodys done the kind of broad-scale work that would demonstrate continuous trends. Since the birth of modern English-language novels in the 1700s, male and female characters from Paul Atreides to Elizabeth Bennet have laughed, grinned, felt and acted through their pages. Importantly, we also find persistent effects related to author gender, age of the target audience, character type (human vs. non-human), and book genre (fiction vs. non-fiction) on the male-to-female ratio of protagonists. Shaded regions show standard errors of binomial logistic regression model fits. As noted above, previous research points to the importance of considering moderating variables when characterizing bias in the representation of central characters. In another study, Hamilton et al. We found a similar effect of book genre in relation to age of the target audience, where only changes for fiction books reached statistical significance for the entire 60-year period. It is interesting to note that women were hardly ever shown as economic beings, whether as landlords, traders, farmers, or members of other professions. Even before trends in publication reach parity, knowledge of these effects may help parents and educators to select less biased samples of books for individual children. If no explicit, text-based gender identification was provided other than the name of the character, then we determined gender based on whether the name was commonly recognized as masculine or feminine (as done by [23]). Get Help With Your Essay Downloads: 320. Characters in many literary stories believe in this idea. When criticism starts to become important, womens contributions are undervalued Kate Mosse. The volume consist of 10 research papers namely Women Media Personalities, A reading of Pashupati Jha's Taking on Tough Times, C. L. Khatri: A Poet of Cultural Values, Radical Feminism in R. K. Narayan's The Painter of Signs, Mulk Raj Anand's novels, Post-colonial concept, Female protagonist in R. K. Narayan's . It affected individuals access to education, financial support, and career. In order to obtain a representative sample of the books available to children, we analyzed books accessible online for hard copy purchase or digital reading. endobj However, studies examining the content of childrens literature report stereotypical portrayals of male and female characters [17, 30]. These analyses revealed four significant two-way interactions, described in detail below. In addition to the impact on reading ability and language development [36], childrens books have long been considered an important source of enculturation [37, 38]. Charlotte Gilmans gothic tale The Yellow Wallpaper was an early feminist indictment of Victorian Patriarchy. Its also connected to other concepts, such as greed, power, love, and corruption. Studies have found that female characters in Children's books are ignored most of the times or always under represented thus creating a negative image about women. Female authors also showed improvement during this time and even depicted more female protagonists, at least with human characters and in books for older children, though there was no significant improvement in books with non-human characters (where male overrepresentation remains). Following the convention established in previous work [e.g., 22], we restricted the present analyses to only those books with a single identifiable protagonist. She subverts societys ideals by protecting her son, who is a foe of humankind. These trends declined over time, until by the 1900s, other words were more prominently associated with men and women. . Many fairy tales contain gender stereotyping towards masculinity and femininity, while modern childrens literature often subverts gender. The differential frequency of male and female characters in media might be less consequential if the accompanying content counteracted the disproportionate numbers. It may be easier to depict female human characters in fictional stories because authors need not adhere to real events in which there is greater prevalence of men in particular professions or scenarios. Such a perspective is consistent with other research showing that women (and other minorities) play a significant role in promoting diversity and may be integral in ensuring equity across genders [61].

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